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Nirvana was an American rock band that was formed by singer/guitarist Kurt Cobain and bassist Krist Novoselic in Aberdeen, Washington in 1987. Nirvana went through a succession of drummers, the most notable being Dave Grohl, who joined the band in 1990.
With the lead single "Smells Like Teen Spirit" from the band's second album Nevermind (1991), Nirvana entered into the mainstream, bringing along with it a subgenre of alternative rock called grunge. Other Seattle grunge bands such as Alice in Chains, Pearl Jam, and Soundgarden also gained popularity, and as a result, alternative rock became a dominant genre on radio and music television in the United States during the early-to-mid-1990s. As Nirvana's frontman, Kurt Cobain found himself referred to in the media as the "spokesman of a generation", with Nirvana the "flagship band" of Generation X. Cobain was uncomfortable with the attention and placed his focus on the band's music, believing the band's message and artistic vision to have been misinterpreted by the public, challenging the band's audience with its third studio album In Utero (1993).
Nirvana's brief run ended with Cobain's death in April 1994, but the band's popularity continued in the years that followed. In 2002, "You Know You're Right", an unfinished demo from the band's final recording session, topped radio playlists around the world. Since their debut, the band has sold over twenty-five million albums in the US alone, and over fifty million worldwide
History
Early years
Cobain and Novoselic met in 1985. Both were fans of the Melvins, and frequented the band's practice space. After a couple of false starts at forming their own band, the duo recruited drummer Aaron Burckhard, creating the first incarnation of what would eventually become Nirvana. Cobain later described the sound of the band when they first started as "a Gang of Four and Scratch Acid ripoff." Within a few months, Burckhard was fired from the band. He was temporarily replaced by Dale Crover of the Melvins, who played on the band's first demos. Dave Foster then began a brief tenure as the band's drummer.
During its initial months, the band went through a series of names, including Skid Row, Pen Cap Chew, and Ted Ed Fred. The band finally settled on Nirvana in early 1988, which Cobain said was chosen because "I wanted a name that was kind of beautiful or nice and pretty instead of a mean, raunchy punk rock name like the Angry Samoans." Nirvana played their first show under the name that March. A couple of months later, the band finally settled on a drummer, Chad Channing.
Nirvana's first release was the single "Love Buzz/Big Cheese" in 1988 on Seattle independent record label Sub Pop. The following year, the band released its first album, Bleach. To record Bleach, the band turned to noted local producer Jack Endino, who had recorded the band's first studio demos. Bleach was highly influenced by the Melvins, by the heavy dirge-rock of Mudhoney, 1980s punk rock, the Pixies, and by the 1970s rock of Black Sabbath. Novoselic noted in a 2001 interview with Rolling Stone that the band had played a tape in their van while on tour that had an album by The Smithereens on one side and an album by the black metal band Celtic Frost on the other, and noted that the combination probably played an influence as well. Bleach became a favorite of college radio stations nationally, but gave few hints of where the band would find itself two years later.
The money for the recording sessions for Bleach, listed as $606.17 on the album sleeve, was supplied by Jason Everman. Everman was introduced to Cobain by Dylan Carlson, but had known Channing since the fifth grade. Everman began hanging out with the band, and offered to lend the money to them for the recording. Though Everman did not actually play on the album, he was credited for playing guitar on Bleach because, according to Novoselic, they "wanted to make him feel more at home in the band." After the album was completed, Everman had a brief and contentious stay with the band as a second guitar player, but was fired following their first US tour.
In a late 1989 interview, Cobain noted that the band's music was changing. He said, "The early songs were really angry ... But as time goes on the songs are getting poppier and poppier as I get happier and happier. The songs are now about conflicts in relationships, emotional things with other human beings." In April 1990, the band began working with producer Butch Vig at Smart Studios in Madison, Wisconsin on recordings for the follow-up to Bleach. During the sessions, Kurt and Krist became disenchanted with Channing's drumming, and Channing expressed frustration at not being actively involved in songwriting. Not long after the sessions were complete, Channing was gone from the band. After a few weeks with Dale Crover of the Melvins filling in, Nirvana hired Mudhoney drummer Dan Peters, with whom they recorded the song "Sliver". A few weeks later, Buzz Osborne of the Melvins introduced them to Dave Grohl, who was looking for a new band following the sudden break-up of D.C. hardcore punks Scream. A few days after arriving in Seattle, Novoselic and Cobain auditioned Grohl, with Novoselic later stating, "We knew in two minutes that he was the right drummer
Disenchanted with Sub Pop and with the Smart Studios sessions generating interest, Nirvana decided to look for a deal with a major record label. Following repeated recommendations by Sonic Youth's Kim Gordon, Nirvana signed to DGC Records in 1990. The band subsequently began recording its first major label album, Nevermind. They were offered a number of producers to choose from, but ultimately held out for Butch Vig. Rather than recording at Vig's Madison studio as they had in 1990, they shifted to Sound City Studios in Van Nuys, Los Angeles, California. For two months, the band worked through a variety of songs in their catalog. Some of the songs, including "In Bloom" and "Breed", had been in the band's repertoire for years, while others, including "On a Plain" and "Stay Away", lacked finished lyrics until mid-way through the recording process. After the recording sessions were completed, Vig and the band set out to mix the album. However, the recording sessions had run behind schedule and the resulting mixes were deemed unsatisfactory. Slayer mixer Andy Wallace was brought in to create the final mix. After the album's release members of Nirvana expressed dissatisfaction with the polished sound the mixer had given Nevermind.
Initially, DGC Records was hoping to sell 250,000 copies of Nevermind, which was the same level they had achieved with Sonic Youth's Goo. However, the album's first single "Smells Like Teen Spirit" quickly gained momentum, thanks in part to significant airplay of the song's music video on MTV. As they toured Europe during late 1991, the band found that the shows were dangerously oversold, that television crews were becoming a constant presence onstage, and that "Smells Like Teen Spirit" was almost omnipresent on radio and music television. By Christmas 1991, Nevermind was selling 400,000 copies a week in the US. On January 11, 1992, the album reached number one on the Billboard album charts, replacing Michael Jackson's album Dangerous. The album also topped the charts in numerous countries worldwide. The month Nevermind reached number one, Billboard proclaimed, "Nirvana is that rare band that has everything: critical acclaim, industry respect, pop radio appeal, and a rock-solid college/alternative base."
In February 1992, following the band's Pacific Rim tour, Cobain married Hole frontwoman Courtney Love in Hawaii. Love gave birth to a daughter, Frances Bean Cobain, the following August. Citing exhaustion, the band decided not to undertake another U.S. tour in support of Nevermind, instead opting to make only a handful of performances later that year. Just days after Frances Bean's birth, Nirvana performed one of its best-known concerts, headlining at the Reading Festival in England. Amid rumors about Cobain's health and the possibility the band might break up, Cobain entered the stage in a wheelchair as a practical joke, then proceeded to get up and join the rest of the band in tearing through an assortment of old and new material. Dave Grohl related in 2005 on the radio program Loveline that the band was genuinely concerned beforehand that the show would be a complete disaster, given all that had happened in the months leading up to the show. Instead, the performance ended up being one of the most memorable of their career.
Less than two weeks later, Nirvana performed at the MTV Video Music Awards. During the first rehearsal for the show, Cobain announced that they were going to play a new song during the broadcast, and the band rehearsed "Rape Me". MTV's executives were appalled by the song, and, according to show producer Amy Finnerty, the executives believed that the song was about them. They insisted that the band could not play "Rape Me", even threatening to throw Nirvana off the show and stop airing their videos entirely. After a series of intense discussions, MTV and Nirvana agreed that the band would play "Lithium", their latest single. When the band began their performance, Cobain strummed and sang the first few bars of "Rape Me", one last jab at MTV's executives, before breaking into "Lithium". Near the end of the song, frustrated that his amp had stopped functioning, Novoselic decided to toss his bass into the air for dramatic effect. He misjudged the landing, and the bass ended up bouncing off his forehead, causing him to stumble off the stage in a daze. As Cobain trashed their equipment, Grohl ran to the mic and began yelling "Hi, Axl!" repeatedly, referring to Guns N' Roses singer Axl Rose, with whom the band and Courtney had had a bizarre encounter before the show.
Nirvana released Incesticide, a collection of rarities and B-sides, in December 1992. Many of Nirvana's radio sessions and unreleased early recordings were starting to circulate via trading circles and illegal bootlegs, so the album served to circumvent the bootleggers. The album contained songs from previously released singles and EPs, including "Sliver" and "Dive", as well as material from the band's sessions for the BBC, including "Been a Son", "Aneurysm", and covers of songs by The Vaselines and Devo.
In Utero
For 1993's In Utero, the band brought in producer Steve Albini, well-known for his work on the Pixies album Surfer Rosa. As Nevermind had brought in a new audience of listeners who had little or no experience with the alternative, obscure, or experimental bands Nirvana saw as their forebears, bringing in Albini appeared to be a deliberate move on Nirvana's part to give the album a raw, less-polished sound. For example, one song on In Utero featuring long periods of shrill feedback noise was titled, ironically, "Radio Friendly Unit Shifter" (in the industry, a "radio-friendly unit shifter" describes an "ideal" album: one capable of heavy radio play and ultimately selling many copies, or "units"). However, Cobain insisted that Albini's sound was simply the one he had always wanted Nirvana to have: a "natural" recording without layers of studio trickery. The sessions with Albini were productive and notably quick, and the album was recorded and mixed in two weeks for a cost of $25,000 at Pachyderm Studios in Cannon Falls, Minnesota.
Several weeks after the completion of the recording sessions, stories ran in the Chicago Tribune and Newsweek that quoted sources claiming DGC considered the album "unreleasable." As a result, fans began to believe that the band's creative vision might be compromised by their label. While the stories about DGC shelving the album were untrue, the band actually was unhappy with certain aspects of Albini's mixes. Specifically, they thought the bass levels were too low, and Cobain felt that "Heart-Shaped Box" and "All Apologies" did not sound "perfect". Longtime R.E.M. producer Scott Litt was called in to help remix those two songs, with Cobain adding additional instrumentation and backing vocals.
In Utero debuted at number one on the Billboard 200 album chart in September 1993. Time's Christopher John Farley wrote in his review of the album, "Despite the fears of some alternative-music fans, Nirvana hasn't gone mainstream, though this potent new album may once again force the mainstream to go Nirvana." Although commercially successful, the album did not achieve the same success as Nevermind. That fall, Nirvana embarked on its first major tour of the United States in two years. For the tour, the band added Pat Smear of the punk rock band Germs as a second guitarist.
Final months and Cobain's death
In November 1993, Nirvana performed for MTV Unplugged. The band opted to stay away from their most recognizable songs, playing only two of their hits, "All Apologies" and "Come as You Are". Grohl later related, "We knew we didn't want to do an acoustic version of Teen Spirit. ... That would've been horrendously stupid." The setlist also included a few relatively obscure covers, with members of the Meat Puppets joining the band for covers of three of their songs. While rehearsals for the show had been problematic, MTV Unplugged producer Alex Coletti noted that the actual taping went exceedingly well, with every song performed in one take and with the complete set lasting under an hour, which were both unusual for Unplugged sessions. Following the band's set-ending performance of Lead Belly's "Where Did You Sleep Last Night", Coletti tried to convince the band to perform an encore. "Kurt said, 'I can't top that last song.' And when he said that, I backed off. 'Cause I knew he was right." The band's performance debuted on MTV on December 14, 1993.
In early 1994, the band embarked on a European tour. Following a tour stop at Terminal Eins in Munich, Germany, on March 1, Cobain was diagnosed with bronchitis and severe laryngitis. The next night's show, at the same venue, was canceled. In Rome, on the morning of March 4, Love found Cobain unconscious in their hotel room and he was rushed to the hospital. A doctor from the hospital told a press conference that Cobain had reacted to a combination of prescription Rohypnol and alcohol. The rest of the tour was canceled, including a planned leg in the UK.
In the ensuing weeks, Cobain's heroin addiction resurfaced. An intervention was organized, and Cobain was convinced to admit himself into drug rehabilitation. After less than a week in rehabilitation, Cobain climbed over the wall of the facility and took a plane back to Seattle. A week later, on Friday, April 8, 1994, Cobain was found dead of an apparently self-inflicted shotgun wound to the head at his Seattle home, effectively dissolving Nirvana.
Nirvana Mp3 Collection
Nirvana MP3 CD MP3 CD #1
Krist Novoselic
Nirvana - Albums
Nirvana - Singles
Nirvana MP3 CD MP3 CD #2
Nirvana MP3 CD MP3 CD #3
Nirvana MP3 CD MP3 CD #4
Nirvana MP3 CD #1
Krist Novoselic
01-Fetch | 3:36 |
| 02-Lay Me Down | 3:27 |
| 03-Bite My Head | 2:22 |
| 04-Red Dress | 3:17 |
| 05-La Vida | 3:36 |
| 06-Six Years | 3:40 |
| 07-Take Another Stab | 5:10 |
| 08-Poor Kitty | 2:39 |
| 09-Ode To Dolly | 2:49 |
| 10-Dogs | 3:32 |
| 11-Cantos de Pilon | 2:35 |
| 12-Nothing | 5:31 |
| 13-Japan Trees | 2:26 |
| 14-Oral Health | 4:46 |
Nirvana - Albums
01-Blew | 2:53 |
| 02-Floyd The Barber | 2:15 |
| 03-About A Girl | 2:45 |
| 04-School | 2:39 |
| 05-Love Buzz | 3:32 |
| 06-Paper Cuts | 4:04 |
| 07-Negative Creep | 2:51 |
| 08-Scoff | 4:06 |
| 09-Swap Meet | 3:00 |
| 10-Mr. Moustache | 3:21 |
| 11-Sifting | 5:20 |
| 12-Big Cheese | 3:39 |
| 13-Downer | 1:42 |
01-Smells Like Teen Spirit | 4:58 |
| 02-In Bloom | 4:13 |
| 03-Come As You Are | 3:37 |
| 04-Breed | 3:01 |
| 05-Lithium | 4:14 |
| 06-Polly | 2:53 |
| 07-Territorial Pissings | 2:22 |
| 08-Drain You | 3:43 |
| 09-Lounge Act | 2:36 |
| 10-Stay Away | 3:30 |
| 11-On A Plain | 3:12 |
| 12-Something In The Way | 3:47 |
01-Dive | 3:51 |
| 02-Sliver | 2:12 |
| 03-Stain | 2:37 |
| 04-Been A Son | 1:52 |
| 05-Turnaround | 2:16 |
| 06-Molly's Lips | 1:50 |
| 07-Son Of A Gun | 2:46 |
| 08-(New Wave) Polly | 1:45 |
| 09-Beeswax | 2:46 |
| 10-Downer | 1:42 |
| 11-Mexican Seafood | 1:52 |
| 12-Hairspray Queen | 4:11 |
| 13-Aero Zeppelin | 4:37 |
| 14-Big Long Now | 4:58 |
| 15-Aneurysm | 4:33 |
01-Serve The Servants | 3:33 |
| 02-Scentless Apprentice | 3:46 |
| 03-Heart-Shaped Box | 4:38 |
| 04-Rape Me | 2:48 |
| 05-Frances Farmer Will Have Her Revenge On Seattle | 4:07 |
| 06-Dumb | 2:29 |
| 07-Very Ape | 1:54 |
| 08-Milk It | 3:51 |
| 09-Pennyroyal Tea | 3:35 |
| 10-Radio Friendly Unit Shifter | 4:48 |
| 11-Tourette's | 1:32 |
| 12-All Apologies | 3:49 |
01 - scoff | 4:33 |
| 02 - Love Buzz | 4:20 |
| 03 - Floyd The Barber | 2:33 |
| 04 - Dive | 7:22 |
| 05 - About A Girl | 2:43 |
| 06 - Spank Thru | 3:16 |
| 07 - Big Cheese | 4:11 |
| 08 - Sappy | 3:17 |
| 09 - Breed | 5:02 |
| 10 - Been A Son | 2:18 |
| 11 - Negative Creep | 3:34 |
| 12 - Blew | 10:38 |
| 13 - Help Me, I'm Hungry | 3:29 |
01 - About A Girl | 3:38 |
| 02 - Come As You Are | 4:13 |
| 03 - Jesus Doesn't Want Me For A Sunbeam | 4:37 |
| 04 - The Man Who Sold The World | 4:20 |
| 05 - Pennyroyal Tea | 3:40 |
| 06 - Dumb | 2:53 |
| 07 - Polly | 3:16 |
| 08 - On A Plain | 3:44 |
| 09 - Something In The Way | 4:01 |
| 10 - Plateau | 3:38 |
| 11 - Oh Me | 3:26 |
| 12 - Lake Of Fire | 2:56 |
| 13 - All Apologies | 4:23 |
| 14 - Where Did You Sleep Last Night | 5:07 |
01-Intro | 0:51 |
| 02-School | 2:36 |
| 03-Drain You | 3:38 |
| 04-Aneurysm | 4:31 |
| 05-Smells Like Teen Spirit | 4:46 |
| 06-Been A Son | 2:07 |
| 07-Lithium | 4:09 |
| 08-Sliver | 1:55 |
| 09-Spank Thru | 3:06 |
| 10-Scentless Apprentice | 3:28 |
| 11-Heart-Shaped Box | 4:46 |
| 12-Milk It | 3:45 |
| 13-Negative Creep | 2:43 |
| 14-Polly | 2:27 |
| 15-Breed | 3:30 |
| 16-tourrete's | 1:54 |
| 17-Blew | 3:34 |
01 Radio Friendly Unit Shifter | 4:13 |
| 02 Drain You | 3:43 |
| 03 Breed | 3:21 |
| 04 Serve the Servant | 3:34 |
| 05 About A Girl | 3:50 |
| 06 Heart Shaped Box | 5:00 |
| 07 Dumb | 3:00 |
| 08 In Bloom | 4:32 |
| 09 Come as You Are | 3:43 |
| 10 Lithium | 4:25 |
| 11 Pennyroyal Tea | 3:47 |
| 12 Polly | 6:19 |
| 13 Milk it | 3:51 |
| 14 Rape Me | 2:47 |
| 15 Territorial Pissing | 3:00 |
| 16 Jesus Dont Want Me for A Sunb | 4:50 |
| 17 Scentless Apparentice | 4:51 |
| 18 Smells Like Teen Spirit | 4:44 |
Nirvana - Singles
01-In Bloom (lp version) | 4:13 |
| 02-Sliver (live) | 2:02 |
01-Smells Like Teen Spirit (edit) | 4:35 |
| 02-Even In His Youth (previously unreleased) | 3:01 |
01-Come As You Are | 3:37 |
| 02-Endless, Nameless | 6:42 |
01-Lithium (lp version) | 4:15 |
| 02-Been A Son (live) | 2:29 |
| 03-Curmudgeon (previously unreleased) | 2:57 |
01-All Apologies | 3:49 |
| 02-Rape Me | 2:48 |
| 03-Moist Vagina | 3:32 |
01-Heart-Shaped Box (lp version) | 4:38 |
| 02-Milk It (lp version) | 3:52 |
| 03-Marigold (previously unreleased) | 2:32 |
Nirvana - Axl Rose And Kurt Cobain Rant | 2:09 |
| Nirvana - Bambi Slaughter | 1:30 |
| Nirvana - Dazed And Confused | 4:23 |
| Nirvana - My Best Friends Girl | 1:45 |
| Nirvana - Oh The Guilt | 3:01 |
| Nirvana - Smells Like Teen Spirit | 4:51 |
Nirvana MP3 CD #2
01 Negative Greep | 2:53 |
| 02 Been a son | 2:20 |
| 03 On a plan | 3:12 |
| 04 Blew | 3:37 |
| 05 Come as you are | 3:43 |
| 06 Lithium | 4:53 |
| 07 Breed | 2:52 |
| 08 Sliver | 2:01 |
| 09 Drain you | 3:37 |
| 10 About a girl | 3:40 |
| 11 School | 2:49 |
| 12 Aneurysm | 4:25 |
| 13 Love Buzz | 4:37 |
| 14 Polly | 2:58 |
| 15 Territorial Pissings | 3:59 |
| 16 Smells like teens spirit | 8:23 |
01 - Serve the servants | 3:45 |
| 02 - Scentless apprentice | 3:51 |
| 03 - School | 2:48 |
| 04 - Breed | 3:01 |
| 05 - Lithium | 4:19 |
| 06 - Come as you are | 3:36 |
| 07 - Milk it | 3:52 |
| 08 - Drain You | 3:45 |
| 09 - Tourette's | 2:31 |
| 10 - Very ape | 2:21 |
| 11 - Heart shaped box | 5:06 |
| 12 - Rape me | 2:52 |
| 13 - All apologies | 4:22 |
| 14 - Polly | 3:00 |
| 15 - Dump | 2:35 |
| 16 - Something in the way | 3:58 |
| 17 - Where did you sleep last night | 3:20 |
| 18 - Smells like teen spirit | 4:54 |
| 19 - Endless nameless | 9:13 |
01 Love Buzz | 3:16 |
| 02 About A Girl | 2:39 |
| 03 Polly | 2:37 |
| 04 Spanks Thru | 3:15 |
| 05 Son of A Gun | 2:46 |
| 06 Mollys Lips | 1:49 |
| 07 D-7 | 3:44 |
| 08 Turnaround | 2:16 |
| 09 Dumb | 2:34 |
| 10 Drain You | 4:01 |
| 11 Endless-Nameless | 8:46 |
| 12 Been A Son | 1:54 |
| 13 Punk Rock Polly | 1:46 |
| 14 Aneurysm | 4:35 |
| 15 Something in the Way | 3:21 |
| 16 Here She Comes Now | 4:40 |
| 17 Where Did You Sleep Last Night | 4:55 |
| 18 Drain You | 3:37 |
| 19 Polly | 2:30 |
| 20 Territorial Pissings | 2:09 |
| 21 Lithium | 5:04 |
01 Jesus Wants Me for A Sunbeam | 3:51 |
| 02 Aneurysm | 4:54 |
| 03 Drain You | 3:53 |
| 04 School | 3:14 |
| 05 Floyd the Barber | 3:12 |
| 06 Smells Like Teen Spirit | 4:52 |
| 07 About A Girl | 3:14 |
| 08 Polly | 3:08 |
| 09 Breed | 3:22 |
| 10 Sliver | 2:23 |
| 11 Love Buzz | 3:37 |
| 12 Lithium | 4:44 |
| 13 Been A Son | 2:16 |
| 14 Negative Creep | 2:47 |
| 15 On A Plain | 3:08 |
| 16 Blew | 5:46 |
| 17 Rape Me | 3:04 |
| 18 Territorial Pissings | 2:23 |
| 19 Endless-Nameless | 6:37 |
01 Live Through this | 4:28 |
| 02 Love Buzz | 3:30 |
| 03 In His Hands | 3:14 |
| 04 Lithium | 4:07 |
| 05 Rape Me | 2:27 |
| 06 On A Plain | 2:46 |
| 07 Stain | 2:23 |
| 08 School | 2:50 |
| 09 Mollys Lips | 1:59 |
| 10 Aneurysm | 4:37 |
| 11 Love Buzz | 3:53 |
| 12 Floyd the Barber | 2:43 |
| 13 Downer | 2:29 |
| 14 Mexican Seafood | 2:54 |
| 15 White Lace and Strange | 2:39 |
| 16 Spank Thru | 3:26 |
| 17 Suicide Samurai | 3:32 |
| 18 Hairspray Queen | 4:58 |
| 19 Pen Cap Chew | 4:13 |
| 20 More than A Feeling | 0:56 |
| 21 My Best Friends Girl | 2:24 |
| 22 Autopilot | 5:07 |
01 You Know Youre Right | 3:38 |
| 02 About A Girl | 2:49 |
| 03 Been A Son | 2:23 |
| 04 Sliver | 2:14 |
| 05 Smells Like Teen Spirit | 5:01 |
| 06 Come as You Are | 3:39 |
| 07 Lithium | 4:17 |
| 08 In Bloom | 4:15 |
| 09 Heart-Shaped Box | 4:41 |
| 10 Pennyroyal Tea | 3:38 |
| 11 Rape Me | 2:51 |
| 12 Dumb | 2:34 |
| 13 All Apologies | 3:47 |
| 14 The Man Who Sold the World | 3:49 |
| 15 Where Did You Sleep Last Night | 5:02 |
01 Rape Me | 2:44 |
| 02 Intro-School | 4:05 |
| 03 Pennyroyal Tea | 3:33 |
| 04 Jam | 5:17 |
| 05 Sliver | 1:54 |
| 06 Dive | 3:38 |
| 07 Paper Cuts | 4:43 |
| 08 Negative Creep | 3:26 |
| 09 Blew | 3:55 |
| 10 Territorial Pissing | 2:20 |
| 11 Scentless Apprentice | 3:28 |
| 12 The Man Who Sold The World | 3:23 |
Nirvana MP3 CD #3
01 Radio Friendly Unit Shifter | 5:16 |
| 02 Drain You | 4:10 |
| 03 Breed | 3:20 |
| 04 Serve the Servants | 3:49 |
| 05 Come as You Are | 3:24 |
| 06 Smells Like Teen Spirit | 4:34 |
| 07 Sliver | 2:21 |
| 08 Dumb | 2:52 |
| 09 In Bloom | 4:18 |
| 10 About A Girl | 2:49 |
| 11 Lithium | 4:33 |
| 12 Pennyroyal Tea | 3:51 |
| 13 School | 3:00 |
| 14 Polly | 3:25 |
| 15 Frances Farmer Will Have His Revenge on Seattle | 3:53 |
| 16 Milk it | 3:46 |
| 17 Rape Me | 2:44 |
| 18 Territorial Pissings | 6:29 |
| 19 Jesus Wants Me for A Sunbeam | 3:58 |
20 The Man Who Sold the World | 5:32 |
| 21 All Apologies | 3:47 |
| 22 Scentless Apprentice | 3:51 |
| 23 On A Plane | 3:19 |
| 24 Heart Shaped Box | 5:25 |
| 25 Blew | 7:26 |
| 26 Love Buzz | 3:18 |
| 27 About A Girl | 2:41 |
| 28 Polly | 2:38 |
| 29 Spank Thru | 3:17 |
| 30 Turn Around | 2:47 |
| 31 Molly's Lips | 1:50 |
| 32 Dementia 7 | 3:45 |
| 33 Pretty Scary | 2:17 |
| 34 Dumb | 2:35 |
| 35 Drain You | 4:03 |
| 36 Here I Am | 6:21 |
| 37 Meltdown | 2:22 |
| 38 Courtney Love's Complete Eulogy for Kurt Cobain | 6:19 |
01 Radio Friendly Unit Shifter | 3:59 |
| 02 Drain You | 3:33 |
| 03 Breed | 3:02 |
| 04 Serve the Servants | 3:11 |
| 05 Come as You Are | 3:19 |
| 06 Smells Like Teen Spirit | 4:35 |
| 07 Sliver | 2:14 |
| 08 Dumb | 3:00 |
| 09 In Bloom | 4:08 |
| 10 About A Girl | 2:44 |
| 11 Lithium | 3:58 |
| 12 Pennyroyal Tea | 3:24 |
| 13 School | 2:33 |
| 14 Polly | 2:50 |
| 15 Very Ape | 1:57 |
| 16 Lounge Act | 2:21 |
| 17 Rape Me | 2:45 |
| 18 Territorial Pissings | 2:16 |
| 19 All Apologies | 3:27 |
| 20 On A Plain | 3:16 |
| 21 Scentless Apprentice | 3:43 |
| 22 Heart Shaped Box | 4:34 |
| 23 Demolition | 3:13 |
01 heartbreaker_(live_1987_first_nirvana_show) | 2:59 |
| 02 anorexorcist_(radio_performance_1987) | 2:44 |
| 03 white_lace_and_strange_(radio_performance_1987) | 2:09 |
| 04 help_me_im_hungry_(radio_performance_1987) | 2:41 |
| 05 mrs_butterworth_(rehearsal_recording_1988) | 4:05 |
| 06 if_you_must_(demo_1988) | 4:01 |
| 07 pen_cap_chew_(demo_1988) | 3:02 |
| 08 downer_(live_1988) | 1:43 |
| 09 floyd_the_barber_(live_1988) | 2:33 |
| 10 raunchola-moby_dick_(live_1988) | 6:24 |
| 11 beans_(solo_acoustic_undated) | 1:32 |
| 12 dont_want_it_all_(solo_acoustic_undated) | 2:26 |
| 13 clean_up_before_she_comes_(solo_acoustic_undated) | 3:12 |
| 14 polly_(solo_acoustic_1988) | 2:30 |
| 15 about_a_girl_(solo_acoustic_1988) | 2:44 |
| 16 blandest_(demo_1988) | 3:56 |
| 17 dive_(demo_1988) | 4:50 |
| 18 they_hung_him_on_a_cross_(demo_1989) | 1:57 |
| 19 grey_goose_(demo_1989) | 4:36 |
| 20 aint_it_a_shame_(demo_1989) | 2:01 |
| 21 token_eastern_song_(demo_1989) | 3:21 |
| 22 even_in_his_youth_(demo_1989) | 3:12 |
| 23 polly_(demo_1989) | 2:36 |
01 opinion_(solo_acoustic_1990) | 1:34 |
| 02 lithium_(solo_acoustic_1990) | 1:49 |
| 03 been_a_son_(solo_acoustic_1990) | 1:12 |
| 04 sliver_(solo_acoustic_1989) | 2:09 |
| 05 where_did_you_sleep_last_night_(solo_acoustic_1989) | 2:31 |
| 06 pay_to_play_(demo_1990) | 3:29 |
| 07 here_she_comes_now_(demo_1990) | 5:01 |
| 08 drain_you_(demo_1989) | 2:38 |
| 09 aneurysm_(demo_1990) | 4:47 |
| 10 smells_like_teen_spirit_(rehearsal_demo_1991) | 5:40 |
| 11 breed_(rough_mix_1991) | 3:07 |
| 13 old_age_(outtake_1991) | 4:20 |
| 14 endless_nameless_(radio_appearance_1991) | 8:48 |
| 15 dumb_(radio_appearance_1991) | 2:35 |
| 16 d7_(radio_appearance_1990) | 3:46 |
| 17 oh_the_guilt_(b-side_1992) | 3:25 |
| 18 curmudgeon_(b-side_1992) | 3:03 |
| 19 return_of_the_rat_(outtake_1992) | 3:09 |
| 20 smells_like_teen_spirit_(butch_vig_mix_recorded_may_1991) | 4:59 |
01 rape_me_(solo_acoustic_1992) | 3:23 |
| 02 rape_me_(demo_1992) | 3:01 |
| 03 scentless_apprentice_(rehearsal_demo_1992) | 9:32 |
| 04 heart_shaped_box_(demo_1993) | 5:31 |
| 05 i_hate_myself_and_i_want_to_die_(b-side_1993) | 4:03 |
| 06 milk_it_(demo_1993) | 4:34 |
| 07 mv_(demo_1993) | 1:56 |
| 08 gallons_of_rubbing_alcohol_flow_through_the_strip_(b-side_1993) | 7:34 |
| 09 the_other_improv_(demo_1993) | 6:24 |
| 10 serve_the_servents_(solo_acoustic_1993) | 1:36 |
| 11 very_ape_(solo_acoustic_1993) | 1:52 |
| 12 pennyroyal_tea_(solo_acoustic_1993) | 3:30 |
| 12 verse_chorus_verse_(outtake_1991) | 3:18 |
| 13 marigold_(b-side_1993) | 2:34 |
| 14 sappy_(retitled_verse_chorus_verse_for_release_b-side_1993) | 3:26 |
| 15 jesus_doesnt_want_me_for_a_sunbeam_(rehearsal_demo_1994) | 3:57 |
| 16 do_re_mi_(solo_acoustic_1994) | 4:24 |
| 17 you_know_youre_right_(solo_acoustic_1994) | 2:30 |
| 18 all_apologies_(solo_acoustic_undated) | 3:33 |
Nirvana MP3 CD #4
01 Rainbow Chaser | 2:39 |
| 02 Tiny Goddess | 4:04 |
| 03 The Touchables (All Of Us) | 3:00 |
| 04 Melanie Blue | 2:40 |
| 05 Trapeze | 2:49 |
| 06 The Show Must Go On | 2:41 |
| 07 Girl In The Park | 2:41 |
| 08 Miami Masquerade | 2:48 |
| 09 Frankie The Great | 2:30 |
| 10 You Can Try It | 3:17 |
| 11 Everybody Loves The Clown | 2:01 |
| 12 St Johns Wood Affair | 4:20 |
| 13 Flashbulb (Bonus Track) | 2:15 |
| 14 Oh! What A Performance (Bonus | 3:09 |
| 15 Darling Darlane (Bonus Track) | 2:49 |
| 16 C Side Of Ocho Rios (Bonus Tra | 2:13 |
01 Spank Thru (1985 Fecal Matter | 3:44 |
| 02 Heartbreaker (Live) | 2:57 |
| 03 Mrs. Butterworth (Rehearsal De | 4:04 |
| 04 Floyd the Barber (Live) | 2:31 |
| 05 Clean Up Before She Comes (Hom | 3:11 |
| 06 About A Girl (Home Demo) | 2:43 |
| 07 Blandest (Studio Demo) | 3:55 |
| 08 Aint it A Shame (Studio Demo) | 2:02 |
| 09 Sappy (1990 Studio Demo) | 3:32 |
| 10 Opinion (Solo Acoustic Radio A | 1:34 |
| 11 Lithium (Solo Acoustic Radio A | 1:48 |
| 12 Sliver (Home Demo) | 2:09 |
| 13 Smells Like Teen Spirit (Home | 5:39 |
| 14 Come as You Are (Boom Box Vers | 4:10 |
| 15 Old Age (Nevermind Outtake) | 4:20 |
| 16 Oh the Guilt | 3:24 |
| 17 Rape Me (Home Demo) | 3:22 |
| 18 Rape Me (Band Demo) | 3:02 |
| 19 Heart Shaped Box (Band Demo) | 5:32 |
| 20 Do Re Mi (Home Demo) | 4:23 |
| 21 You Know Youre Right (Home Dem | 2:30 |
| 22 All Apologies (Home Demo) | 3:32 |
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